ISSN: 1176-5119 (print)
ISSN: 1179-8912 (online)
Junctures is published under the Creative Commons Attribution-Non Commercial-No Derivatives
Works 3.0 New Zealand licence (cc-by-nc-nd), unless otherwise indicated.
Copyright in all images remains with the artists, unless otherwise indicated.
Send items for review to:
Editor, Junctures, Otago Polytechnic Te Kura Matatini ki Otago, Private Bag 1910,
Dunedin 9054, New Zealand. junctures@op.ac.nz
Editor: Bridie Lonie
Editorial Assistant: Pam McKinlay
Design and Typesetting: Simon Horner
Printing: Dunedin Print
Detail from aerial view of contour lines and proposed sculpture. Image courtesy of Isthmus Group,
Wellington and Kristin O’Sullivan Peren.
Junctures: The Journal for Thematic Dialogue is a multidisciplinary academic journal founded by
Otago Polytechnic Te Kura Matatini ki Otago in 2003 as a forum for trans-disciplinary discussion,
analysis, and critique.
Junctures encourages discussion across boundaries, whether these are disciplinary, geographic,
cultural, social or economic. Junctures embraces the long established fields of the humanities,
arts, science, law, medicine and philosophy, as well as engaging with the challenges of more recent
disciplinary and interdisciplinary fields. Each issue of Junctures is organised as a site of encounter
around a theme. This allows us to highlight the resonances and disturbances of dialogue. With
New Zealand and the Asia-Pacific region as a backdrop, but not its only stage, Junctures seeks to
address the matters which concern us all as we negotiate the contemporary environment.
Junctures is fully blind peer reviewed and catalogued on the Ulrichs Periodicals OneSearch directory,
EBSCO Academic Search, and Thomson Gale databases: Academic OneFile, Literature Resource Center
and Expanded Academic.
Bridie Lonie
Dunedin School of Art,
Otago Polytechnic Te Kura Matatini ki Otago
Dunedin, New Zealand
Dr Christina Barton, Director, Adam Art Gallery, Victoria University, New Zealand
Dr Cameron Bishop, Communication and Creative Arts, Deakin University, Melbourne, Australia
James Charlton, Interdisciplinary Unit, AUT University, New Zealand
Prof Sean Cubitt, Research Centre in Global Art and Culture, Winchester School of Art, UK
Assoc Prof Frances Dyson, Technoculture, University of California at Davis, CA, USA
Dr Jacob Edmond, English, University of Otago, New Zealand
Prof Matthew Fuller, Goldsmiths, University of London, UK
Rachel Gillies, Photography, Dunedin School of Art, Otago Polytechnic Te Kura Matatini ki Otago, New Zealand
Univ Prof Dr habil Oliver Grau, Image Science, Danube University Krems, Austria
Prof Johannes Heidema, Mathematical Sciences, University of South Africa
Dr Brendan Hokowhitu, Te Tumu, School of Māori, Pacific and Indigenous Studies, University of Otago, New Zealand
Dr Zita Joyce, Media and Communications, University of Canterbury, New Zealand
Dr Gail Kenning, Art History and Art Education, College of Fine Arts, UNSW, Sydney, Australia
Dr Drew Leder, Philosophy, Loyola University of Maryland, Baltimore, MD, USA
Prof Erin Manning, SenseLab, Concordia University, Montreal, Canada
Prof Estelle Maré, Art History, University of the Free State, South Africa
Assoc Prof Andrew Murphie, English, Media and Performing Arts, University of New South Wales, Australia
Dr Brett Nicholls, Media, Film and Communication, University of Otago, New Zealand
Prof Sally Jane Norman, Performance Technologies, Director, Attenborough Centre for the Creative Arts,
University of Sussex, UK
Assoc Prof Mike Paulin, Zoology, University of Otago, New Zealand
Michelle Schaaf, Te Tumu, School of Māori, Pacific and Indigenous Studies, University of Otago, New Zealand
Dr Tony Schirato, Media Studies, Victoria University of Wellington, New Zealand
Prof Leoni Schmidt, Dunedin School of Art, Otago Polytechnic Te Kura Matatini ki Otago, New Zealand
Allan Smith, Elam School of Fine Arts, Auckland University, New Zealand
Dr Jo Smith, Media Studies, Victoria University of Wellington, New Zealand
Peter Stupples, Art History and Theory, Dunedin School of Art, Otago Polytechnic Te Kura Matatini ki Otago,
New Zealand
Prof Dirk van den Berg, Art History and Visual Culture Studies, University of the Free State, South Africa
Linda Wilson, Academic Leader Postgraduate Programmes, School of Occupational Therapy, Otago Polytechnic Te
Kura Matatini ki Otago, New Zealand
Annual subscription:
NZ$100 institutional domestic; NZ$140 institutional overseas; NZ$40 individual domestic;
NZ$65 individual overseas. Requests for subscriptions should include complete mailing address
and payment by international money order or credit card and should be sent to: Subscriptions, Junctures,
Otago Polytechnic Te Kura Matatini ki Otago, Private Bag 1910, Dunedin 9054, New Zealand.
junctures@op.ac.nz