Weaving potentialities and AI: Patterns are not Inscriptions

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Hollie Tawhiao (Ngāti Tiipa, Waikato, Pākehā)
Joe Citizen
Toni Herangi

Abstract

Ngaa tuku o Maahina is a roopuu [group] whose kaupapa [purpose] relates to the multiple interconnected strands of knowledge of ngaa maramataka [site specific lunar calendars]. We are Hagen Tautari, Horomona Horo, Te Taima Barrett, Hollie Tawhiao, Toni Herangi, Ra Keelan and Joe Citizen. At our inaugural hui [gathering], Toni brought along a taonga [prized treasure] which had been in her family for generations – dated 1898, this photolithographed collection in te reo Māori [the Māori language] and English, has copies of He Whakaputanga (Declaration of independence), Te Tiriti o Waitangi (Treaty of Waitangi) and other associated papers.  


To some, this is might appear to simply be copies of older original documents. In te ao Māori [the Māori world], however, this collection has its own mauri [life-essence], mana [spiritual authority and prestige] and haa [breath] and retains links to the tuupuna [ancestors] through their tohu [signs]. Our koorero [discussion] became centred on its preservation – simply photographing it and uploading copies of it online would make it vulnerable to AI that employ web-scraping and web-crawling practices, to thieve knowledge and assimilate it into a supposedly universalist framework.  


This koorero brought to our attention the wider take [subject] of how we should navigate the colonial tendencies of AI – the structural violence that arises from those culturally specific practices that assume a priori truths as universally foundational. By appraising the Eurocentric and human-centric assumptions behind data recognition through the automation of iterative logic loops, we acknowledge the entanglements of historically systemic problems: how cognitivism and positivism underpin supremacist claims of liberatory technological progress; how material realism and representational indexicality have traditionally dismissed and abused indigenous knowledge frameworks; how military-industrial control culture has normalised surveillance and transnational capitalism; and how reductionist methodologies reify libertarian claims of individual freedoms as commodified transactions between atomistic entities.  

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Author Biographies

Hollie Tawhiao (Ngāti Tiipa, Waikato, Pākehā)


Hollie Tawhiao (Ngāti Tiipa, Waikato, Pākehā)  is Kaitiaki Mātangireia in Te Iho o Te Manawataki, University of Waikato Library. Graduating her undergraduate in Fine Arts at ELAM, she went on to complete her PGDip in Museum Studies from Massey and her Masters in Contemporary Arts with Te Pūkenga | WINTEC. Her masters explored the potential of visual culture as a portal to influence cultural evolution. Focussing on Māori visual culture as existing on a spectrum free from colonial parameters such as “traditional” and “contemporary”, her research reflected on the methods of knowledge transfer and the impact of human influence on shifts in cultural beliefs over time and how these impact identity and self-perception. Her research interests include Māori material culture, identity and self-determination.

Joe Citizen, Wintec Te Pūkenga

Joe Citizen: I gained my PhD (Design) from AUT in 2019, and currently work for Wintec | Te Pūkenga in Kirikiriroa/Hamilton. I am a collaborative practice-led creative-arts researcher mainly interested in speculative metaphysics located at the intercultural hyphen space (Fine, 1994), particularly in relation to te ao Māori and te ao Pākehā ways of knowing and being. My work has relevance to the fields of Māori-Pākehā relations, post-humanist and new materialist critique, aesthetics, and contemporary digital theory.

Toni Herangi, Artist Toi Māori

Toni Herangi: My creative practice is Toi Māori/Māori Art Practices based, meaning my creative explorations and processes are guided and nurtured primarily by bodies of knowledge and ways of knowing which stem from Toi Māori, te ao Māori practices and traditions. The narrative focus of both my creative practice and mahi rangahau processes are informed by Whakapapa; concepts focused on understanding the nature of relationships and connections from an indigenous perspective, and processes of doing or practical applications. My contribution to this field endeavours to illustrate the nature of the connections and relationships that weave the fibres of te ao Māori together, to articulate the significance of Whakapapa in its many forms, to pay homage to the knowing that is fostered through such explorations, and to highlight the value that matauranga Māori has to offer.