Masculine Crisis and the Quest for the Divine Feminine in Devdas and Dev.D: A Psychoanalytic Study
Main Article Content
Abstract
This article examines the crisis of masculinity and the quest for the divine feminine in Sarat Chandra Chattopadhyay’s novel Devdas (1917) and Anurag Kashyap’s film Dev.D (2009) through a psychoanalytic and socio-cultural perspective. It explores how the character Devdas’s early attachment to his mother and his relationships with Parvati and Chandramukhi shape his masculine identity and create a conflict between sexual desire and the idealisation of the feminine as maternal and sacred. The study then examines how Dev.D reworks this conflict in a globalised and consumer-driven India, where Dev responds to changing femininity through sexual assertiveness, aggression and emotional detachment. The paper argues that, despite their contrasting forms of masculinity, both protagonists remain psychologically dependent on the feminine. Their inability to reconcile vulnerability, desire and masculine identity produces a continuing crisis that takes different forms across historical contexts.
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors should note that in the spirit of open access to research Junctures is published under a New Zealand cc-by-nc-nd licence.
This licence is the most stringent cc-by licence currently available that means that people are free to read and redistribute the article but only with full acknowledgement of the author and the source. Although this licence does allow sharing of research, it does not allow any forms of commercial distribution. For more on cc licencing please see: http://www.creativecommons.org.nz/licences_explained__1 If you require your work to be published under a different licence please contact the Junctures Editorial Assistant.